May 21, 2015


May 18, 2015



Rest in Peace Chinx. Crazy to hear this news, he was a real good dude and a star on the rise. When he came thru in December to take some photos with us he shared his vision and his plans were big. Condolences to his family. Too sad to hear this. #ripChinx

May 16, 2015


Your Old Droog x Statik Selektah — "Unlimited Metrocard" (AUDIO)

Rocksmith family combined forces - check out the audio below

May 15, 2015


April 28, 2015


Showsports Presents 'Mayweather vs. Pacquiao' Episode 2

Showtime has unveiled the second installment to its four-part documentary series on the highly anticipated fight between Floyd Mayweather, Jr. and Manny Pacquiao. While the last episode looked at Mayweather’s life prior to fame and glory, in this segment we explore the Michigan-born boxer’s relentless training regiment — one which has become quite the spectacle in Las Vegas — and how cryotherapy along with other therapy allow for faster healing injuries. We also get to know a few members of his camp, those dear enough to be called family, and those who motivate the pound-for-pound fighter to be the best he can possibly be in the ring. Check out episode 2 above and stay tuned for the next installment.


April 27, 2015


Migos and OG Maco Tour Starts In May

Rocksmith la familia Migos and OG MACO start their tour together the top of May - check out the tour dates below!

Migos / OG Maco -- 2015 Tour Dates
May 1 - Milwaukee, WI - The Rave
May 3 - Oxford, OH - Brick Street
May 4 - Cleveland, OH - House of Blues
May 5 - Detroit, MI - St. Andrews Hall
May 7 - New York, NY - Irving Plaza
May 8 - Philadelphia, PA - Trocadero
May 9 - Boston, MA - Paradise Rock Club
May 10 - Washington, DC - Filmore
May 11 - Baltimore, MA - Soundstage
May 12 - Norfolk, VA - Norva
May 13 - Raleigh, NC - The Ritz
May 15 - Charlotte, NC - Filmore
May 16 - Birmingham, AL - Zydeco
May 17 - New Orleans, LA - Republic
May 18 - Houston, TX - House of Blues
May 19 - Dallas, TX - House of Blues
May 21 - Denver, CO - Ogden
May 22 - Salt Lake City, MI - Complex
May 23 - Phoenix, AZ - Press Room
May 24 - Ventura, CA - Ventura Theater
May 26 - Santa Ana, CA - Observatory
May 27 - Los Angeles, CA - Club Nokia
May 28 - San Francisco, CA - Regency

April 26, 2015


Grand Aspirations: A Conversation with OG Maco VIA HYPETRAK

Our man OG MACO was recently interviewed via HYPETRAK, check out the interview below

OG Maco is more than just the minimalist fury of "U Guessed It." That's the message the Atlanta firebrand has been sending out in the past year, and it's one that appears to be finally resonating with listeners. The OGG and QC lyricist has spent the better part of 2014 and all of the current year tackling subjects ranging from standard trap-rap fare to riotous, molotov-cocktail-music to Wiz Khalifa-esque slow-jams, all the while hitting city after city for packed shows. As OG Maco prepares to cook up a final draft of his final album and continues to trek across the country, we spoke to the rapper about a variety of subjects as diverse as the topics he covers in his bars. From Black Sabbath to cultural appropriation, OG Maco shed light on his opinions in manners both thoughtful and inquisitive.

It’s been almost a year since “U Guessed It” made the general public aware of you. Do you think people are finally starting to catch on to all the rest of the music you put out that pretty much sounds nothing like that song?

I think they’re getting better with it as time goes. Just because of the quality of it, you don’t really have much of a choice then say, “okay, let’s go see what’s on in there.” I feel like it’s picking up.

Outside of rap, what music do you listen to?

It goes everywhere. I’ll read off just a couple albums on my iTunes right now: ‘Infinity on High’ by Fall Out Boy, ‘The Photo Album’ and ‘Plans’ from Death Cab for Cutie, U2, ‘Songs of Innocence,’ I got Black Sabbath on here, some La Roux. I’m not that person who stays on one thing or even one take on the same genre, I’m constantly moving with the music because that’s what it’s there for.

What drives you to listen to music like Black Sabbath?

When I was growing up my dad was a huge AC/DC fan and a huge Ozzy fan. So, before Ozzy was solo, I had never heard anything until 12 or 13 when I heard the ironman song in a movie. When I heard that and compared that to newer Ozzy I was like “holy shit,” and I really wondered what more of that sounds like and that’s how I got into Black Sabbath.

Since you’re affiliated with Migos, Quality Control and that whole crowd, have you ever been around them and had music like Black Sabbath playing and caught their attention?

We have our own studio, so at any given time you might walk in and some random rock music will hit. They fuck with it; they’re not one-dimensional themselves. Quavo, we call him Quavo Brown because he’s like the James Brown of hip-hop. We all got our little names for ourselves that we try to take it beyond that level.

Even on my album, me and Quavo have some songs that are far more rock or pop or just not in the rap realm – it’s way bigger, it’s cinematic. There’s even ballads on the album a la Michael Bolton. I know a lot a people don’t really remember Michael Bolton’s music, but he had amazing ballads and I lean toward that. The next album is really expansive.

I think that’s the first time I’ve ever heard a rapper mention Michael Bolton.

Michael Bolton was that dude. If you really appreciate the craft you’re doing, you have to recognize that these people really crafted the things that inspired us to want to create music before we even knew it. We didn’t even know it, we were just hearing something in the background of a movie and wishing we could create something that was in a movie. But that was in a movie – it wasn’t Rakim and DMX and Ja Rule and 50 Cent in movies back then. Classic movies, cult classic movies, Steve McQueen movies, they all just had well-crafted music.

I want you to forget where you are when you turn on my record. Anyone can make a record that reminds you that you’re in a club, that reminds you you want to get money, but I always like to look into the “how” and the “why” versus, “this is what it is.”

Do you think that goes by peoples’ heads because of songs like “U Guessed It”?

It flies over the majority of peoples’ heads because of “U Guessed It,” and because people right now are hesitant towards this music that drawn more towards being an all-around artist. Like, if you listen to Young Thug and you listen to him back then and listen to him now, you can hear him grow as a rapper. Some might think he downgraded as a rapper because of the change of content and punchlines and all that, but as an artist he’s now making tonal, multi-cultural music. It’s just amazing music.

Even songs like “Shooting Star” were basically rap-ballads.

Exactly – even the songs he made with Gucci. When you hear him in the background singing and that’s not a rap tone. You don’t think, “this is hip-hop.” You don’t hear that from that sound. You don’t get that tone from rap these days.

People have to look at artists more like, “where is this stuff coming from? Why do this music sound so much more different than other music? Why do they dress the way they dress? Why are these so-called rappers developing so much with fashion?” We’re trying to be way more progressive than the past generation.

Look at A$AP, look at Kendrick -- who on his album went back and grabbed the majority of musical styles that black people created. He went back and got George Clinton and did funk. He had the bluesy-type records, Howlin Wolf-type records. He even had poetry slam. He went back and combined all of the art-forms that evolved over time. It’s more of a resurgence than a complete recreation because we realize how important that it is to push the boundaries. Otherwise, people get lost and forget where we really came from.

Do you think a lot of rappers now are realizing that rap is just a continuation of the blues and R&B of past eras?

It is, and among artists of around the 22-26 range – and I say that because everyone older than that is a bigger star – we haven’t reached that star level yet, so before we do, we’re trying to hit as many bases from all our personal recollections of music.

With the ‘Breathe’ EP, you showcased a more politically-charged sound. Can we expect to hear more music like that from you?

The majority of my more “rap” music is more along those lines. I’ve always been that type of person. My mom always wanted me to be a speaker more than a rapper because of the way I say things. My rule is to say what should be more obvious to people but is not because of the jaded world we live in and the perception we have of everything, especially in America.
When I’m making music now especially, I’m extremely aware of my placement in this world. I’m extremely aware of the inspiration I give to little kids and older people who wish we had the opportunities we had when they were our age.

When I’m making these neo-soul, Anarchist songs, you have one version of it that’s like “Fuck Em,” which is more a derivative of rock, then you have “Riot,” which is pure black struggle when you get to the content. That’s where a lot of the actual respect behind the music comes from, because people are hearing that bigger things are going on. If you choose to talk about that first regardless of whatever backlash, people are going to tune in.

Especially with “Riot” and that Miley Cyrus line.

You go into culture and see the black girls who have been pushing the culture for the majority of women of all ethnicities just like black men are pushing the culture for most men of all ethnicities, yet the way things are perceived are so amazingly different. Black girls have been twerking strong since at least 2001, 2002, yet it takes 12 years and a white girl to twerk and now it’s everywhere and accepted and everyone’s twerking? Then, you go a few years before that and you hear the majority of media talking about the “sexualization” of our women. Until someone else gets on it, now it’s cool. People were like, “Miley Cyrus is bringing fun back. We have a new dance craze: twerking.” Even with this “woe” thing. “Woe” has been around in New Orleans for forever. Going back to 70’s, even late 60’s, “woe” has been the term in these places. And now, “woe” is the new term, but how? It’s like when The Beatles re-invented classic rock songs from Chuck Berry, and now it’s “rock’n’roll.” Now it’s rock’n’roll when the white guys came and did it, but what happened when the black guy made the original song? It was not rock’n’roll? It was “n*gger-yelling”? What was it? That’s the question that needs to be answered. What were these things before white people got ahold of them? What were they?

With this incident with Walter Scott. You see black people screaming out for years, “cops don’t treat us right, ya’ll don’t understand how it is to be black and interact with cops.” We’ve been saying it for years and years and years. And now, you have all of these shootings and these discrepancies and support for murderous cops, and you look at local news stories, and it’s completely different until the video comes. And, then when the video comes out, no one makes an apology and there aren't any retractions. In the end, it’s always an “isolated incident.” It’s always an “isolated incident.”

So, it’s not like this is something that has happened in one form or another in culture, it’s in pop culture, it’s in our criminal justice system, it’s in fashion -- it’s in everything. Someone needs to start asking the question: “why is it?”

Lastly, you’ve released a lot of music in recent months. What’s up next when it comes to new releases?

Next up is to complete this album. There’s little EP’s, for example the one with me and Rome, with me and other artists, but it wouldn't really be me releasing it. The album is all I've been working on – we were working on version one in January and now we’re on version four or five. The LP is what we’re focused on over here at QC and what I’m personally focused on. We have the OGG tape coming out, but that’s not a personal tape, that’s my entire company and all of my artists and a collaborative effort to show that we’re the sh*t. Other than that, album.

April 25, 2015


OG Maco & Zaytoven Drop 'OGZAY' EP

Just days after making the announcement, OG Maco and Zaytoven drop off their new collaborative EP. Appropriately titled OGZAY, the project comes in at eight tracks with zero features. Prepare your speakers and press play below.

April 24, 2015


Revolutions On Air: The Golden Era of New York Radio 1980 - 1988

Revolutions on Air documents the prime years of New York radio, during the golden era of dance and rap between 1980 – 1988. Often considered the biggest market, this time period in NYC offered many musical breakthroughs heralded by radio legends such as DJ Spinna, Stretch Armstrong, Kool DJ Red Alert and more, who speak on the widespread influence of icons in the bygone era. The short documentary is courtesy of Red Bull Music Academy, who is gearing up to host its NYC Festival soon and narrated by MC Lyte.


April 23, 2015


MC Melodee x Cookin Soul - Terrible Thing to Waste (official video)

Straight out of Amsterdam, MC Melodee is the front woman of soulful hip hop band La Melodia. Releasing her first La Melodia album with legendary Japanese label Handcuts in 2007, MC   Melodee positioned herself as the hottest European female on the mic. With La Melodia she toured through Europe on the Stones Throw tour with Oh No, Guilty Simpson, Percee P and DJ Romes
The new  MC Melodee video shot in the amazing Las Estacas, Mexico and you can see Melodee in our Rocksmith classic NY hat!

Stream her latest project below
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